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    <loc>https://www.renaissanceoftheearth.com/roeblog</loc>
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    <lastmod>2025-11-20</lastmod>
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      <image:title>Renaissance of the Earth Blog</image:title>
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  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/grafting-as-method-art-repair-and-the-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-20</lastmod>
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      <image:title>Renaissance of the Earth Blog - Grafting as Method: Art, Repair, &amp;amp; the Archive - Make it stand out</image:title>
      <image:caption>Figure 1. In this image, a well-dressed man presides over grafted plants and ordered gardens, surrounded by tools of pruning, measurement, and cultivation. Nature appears domesticated and ornamental. The scene aestheticizes domination, presenting cultivation as civilization and reinforcing the hierarchical relationship between man and land.</image:caption>
    </image:image>
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      <image:title>Renaissance of the Earth Blog - Grafting as Method: Art, Repair, &amp;amp; the Archive - Make it stand out</image:title>
      <image:caption>Figure 2. This engraving depicts laborers systematically clearing and labeling the landscape, transforming the earth into a grid of stumps and data. Nature is rendered measurable and obedient—a surface to be improved, owned, and rationalized through human intervention. The image embodies a colonial gaze that equates the control of extraction with progress, marking the land itself as a conquered subject.</image:caption>
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      <image:title>Renaissance of the Earth Blog - Grafting as Method: Art, Repair, &amp;amp; the Archive - Make it stand out</image:title>
      <image:caption>Figure 3. Bo Kim, Artist-Researcher Field Notebook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/cce9d6b3-6116-42cf-a0c8-cb2b7cedee73/Screenshot+2025-11-20+at+9.29.20%E2%80%AFAM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Grafting as Method: Art, Repair, &amp;amp; the Archive - Make it stand out</image:title>
      <image:caption>Figure 4. Left: Rare book repair observed at the Kinney Center for Interdisciplinary Renaissance Studies. Photograph by Bo Kim. Right: The English Improver Improved (1649), digital scan from the University of Michigan Library Digital Collections.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Renaissance of the Earth Blog - Grafting as Method: Art, Repair, &amp;amp; the Archive - Make it stand out</image:title>
      <image:caption>Figure 5. Bo Kim, Ho-mi Tool Station Installation at A.P.E Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/meet-the-pollinators-of-the-kinney-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/c842c2fa-a9f2-492d-9fb9-99eb344ef18e/Screenshot+2025-10-23+at+11.07.54%E2%80%AFAM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Meet the Pollinators of the Kinney Center - Make it stand out</image:title>
      <image:caption>Figure 1. Ava Liberty (NRC Forestry student ‘26) and Mariah Klank (GCC Summer Intern) catch pollinators with nets in the Kinney Center Meadow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/ae2bdbe9-0efa-43e6-84bc-2f513cd93d02/Screenshot+2025-10-23+at+11.12.24%E2%80%AFAM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Meet the Pollinators of the Kinney Center - Make it stand out</image:title>
      <image:caption>Table 1. Pollinator species observed at the Kinney Center Meadow 8/19/25. Species listed include not only bees and butterflies but also wasps and flies, which are important and often overlooked wild pollinators.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/38f91c1d-c1b1-4e70-9cd8-53db66e456c7/Screenshot+2025-10-23+at+11.13.41%E2%80%AFAM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Meet the Pollinators of the Kinney Center - Make it stand out</image:title>
      <image:caption>Figure 2. A Hairy-Banded Mining Bee (Andrena hirticincta) rests on goldenrod (Solidago sp.). Bees in the mining bee genus (Andrena spp.) are distinguished in part by patches of flattened hairs that run along the insides of their eyes like eyebrows (known as facial fovea).  Image Credit: Nicole Bell</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/how-ktos-became-whale-oceanic-cosmologies-in-sky-and-sea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/0a0581f2-157b-4033-b0d0-13e4b599622d/Sidney_Hall_-_Urania%27s_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpeg</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 1: "Psalterium Georgii, Fluvius Eridanus, Cetus, Officina Sculptoris, Fornax Chemica, and Machina Electrica," plate 28 in Urania's Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy by Jehoshaphat Aspin, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/45d69742-f48a-4107-83ac-48561715853e/Fig+2+Whale%2C+men+in+boat+on+its+back.+England+c.+1236.+BL.png</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 2 : Whale, men in a boat on its back. England c. 1236. The British Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/c1ae5dc6-3526-4015-b2e7-0cee19f88af6/Fig.+3+%E2%80%9CJonah+Bible+Illustration%E2%80%9D+by+unknown+artist%2C+circa+1280.png</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 3: “Jonah Bible Illustration.” Bible, Hainaut ca. 1280. Rouen, Bibliothèque municipale. ms. 185, fol. 130r.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/2dc5bf95-7425-4d0d-ac21-9eb12a84ac16/La-storia-di-Giona.jpeg</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 4:  Jonah Mosaic. Early 4th century CE. Mosaic. Basilica of Santa Maria Assunta, Aquileia, Italy.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/4b0a5368-368b-4e2e-a62c-19e1a6f950e0/Fig+5+whales_whalers_06.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 5:  Conrad Gesner, “Animalium Mar. Ordo XII,” Historiae Animalium, National Library of Medicine (1551), 176.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/410a00a3-e0d8-4f9c-bde9-c639948fe20b/IMG_3208.jpeg</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 6: Adam Lonicer’s categorization of fish in his natural history taxonomy book. Held in the collection of the collection at the Kinney Center for Interdisciplinary Renaissance Studies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/002082d9-01a3-43f5-808f-f77960e222ba/IMG_5224.jpeg</image:loc>
      <image:title>Renaissance of the Earth Blog - How Kētos became Whale: Oceanic Cosmologies in Sky and Sea - Make it stand out</image:title>
      <image:caption>Figure 7: Adam Lonicer’s depiction and classification of the “Walfisch” (Cetus) under the category of fish in the Kreuterbuch. Held in the collection at the Kinney Center for Interdisciplinary Renaissance Studies.</image:caption>
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  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/welcome-to-the-renaissance-of-the-earth-garden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/60419463-9904-461a-8d05-613aada0282f/Screenshot+2025-05-15+at+1.23.19%E2%80%AFPM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Welcome to the Renaissance of the Earth Garden! - Make it stand out</image:title>
      <image:caption>As part of their Renaissance of the Earth fellowships with the Kinney Center for Interdisciplinary Renaissance Studies, Hannah Gould and Melanie Morgan revitalized the kitchen garden in ways that brought their scientific expertise together with humanist interests in the Renaissance.  Hannah (right) is a senior at UMass Amherst pursuing a Bachelor of Science in Plant and Soil Science and Bachelor of Arts in English, with an Environmental Humanities Specialization. Hannah is a Renaissance of the Earth Fellow at the Kinney Center and a Sustainability Fellow with Sustainable UMass.   Melanie (left) is a senior at UMass Amherst pursuing a Bachelor of Science in Horticulture and Sustainable Food and Farming with a concentration in Business and a minor in Natural Resource Conservation. Melanie has been a Renaissance of the Earth Fellow for over two years at the Kinney Center where she has managed the garden.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/0f1b1a7c-5971-4daf-ac72-ffa3f20d2120/Screenshot+2025-05-15+at+1.23.31%E2%80%AFPM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Welcome to the Renaissance of the Earth Garden! - Make it stand out</image:title>
      <image:caption>Cardboard and flags on new beds. Spring 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/bb9ef650-79ae-4133-b324-56bddeaf2ca2/Screenshot+2025-05-15+at+1.23.39%E2%80%AFPM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Welcome to the Renaissance of the Earth Garden! - Make it stand out</image:title>
      <image:caption>Volunteers using wheelbarrows to shape beds. Spring 2024. Check out their class project on the kitchen garden here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/2a6ba750-8c66-4d90-b8d1-20baa54c31e0/Screenshot+2025-05-15+at+1.25.49%E2%80%AFPM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Welcome to the Renaissance of the Earth Garden! - Make it stand out</image:title>
      <image:caption>Volunteers use wheelbarrows and rakes to shape beds. Spring 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/fbc2fb3d-df22-4610-8db3-454c14ca1826/Screenshot+2025-05-15+at+1.25.59%E2%80%AFPM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Welcome to the Renaissance of the Earth Garden! - Make it stand out</image:title>
      <image:caption>Pink = Annuals/vegetables   Green = Perennials  Blue = Bird bath</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/a6e38632-b1ed-43cc-9cc6-e5146c3c2aa9/Screenshot+2025-05-15+at+1.26.11%E2%80%AFPM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Welcome to the Renaissance of the Earth Garden! - Make it stand out</image:title>
      <image:caption>Hannah &amp; Melanie at the end of the 2024 season.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/ash-tree-pasts-amp-futures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/2a65f391-7b2a-4a65-aee4-7452997a90fe/Ash+Tree.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - Ash Tree: Pasts &amp;amp; Futures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/optics-cosmography-and-justice-in-raleghs-the-history-of-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/62416765-9788-4a5f-875a-efc3832e6476/1614-Ralegh-Title.web.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - Optics, Cosmography, and Justice in Ralegh’s The History of the World - Make it stand out</image:title>
      <image:caption>Title page of Ralegh’s The History of the World (1614) in the collection at the Kinney Center for Interdisciplinary Renaissance Studies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/cider-amp-fermentation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/a8b80045-5c32-4d81-b521-0d21e3dc8aec/Screen+Shot+2023-06-19+at+8.59.43+AM.png</image:loc>
      <image:title>Renaissance of the Earth Blog - Cider &amp;amp; Fermentation - Make it stand out</image:title>
      <image:caption>“The Form of the Vessel” (Worlidge, 101)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/white-oak</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/29a4007e-9287-4838-a380-826602c7e6a4/tempImageLJiiH4.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - White Oak: Food &amp;amp; Ships - Make it stand out</image:title>
      <image:caption>“The Oak Tree with his Acorns and Moss.” (Gerard, 1339)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/81096aed-8f49-4969-9884-3a92640c5fa8/tempImage2AbnEG.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - White Oak: Food &amp;amp; Ships - Make it stand out</image:title>
      <image:caption>“The common Oak with his Apple or green Gall” and “The dwarf Oak” (Gerard, 1340)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/656254f6-817e-4137-876e-e32a29f61780/tempImageuHCLqA.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - White Oak: Food &amp;amp; Ships - Make it stand out</image:title>
      <image:caption>Visual representation of using a “German-devil” engine for pulling up tree roots and “prostrating” huge trees.(Evelyn, 24)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/vetch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/b9d519bd-a1b2-4e9a-a0ca-383b32150eed/tempImageLUMqzN.jpg</image:loc>
      <image:title>Renaissance of the Earth Blog - Vetch &amp;amp; Medicine - Make it stand out</image:title>
      <image:caption>“Tare, Vetch or Fetch”, “Bush Vetch”, “White flowered Vetch”, and “Strangle Tare, Tine, or wild Fetch” (Gerard, 1227)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/roeblog/category/Plant</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-glasshouse-geographies-the-transnational-theory-of-botanical-phantasmagoria</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-film-screening-amp-discussion-of-all-that-breathes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-earth-day-extravaganza-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-massachusetts-undergraduate-research-conference</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-2026-energy-transition-symposium-at-umass-amherst</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-the-blue-food-cookbook-presentation-amp-discussion-with-chef-barton-seaver</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-campus-decarbonization-forum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-seeds-of-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/resilient-roots-pollinators-weeds-amp-the-art-of-repair-y45tk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
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  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-azores-sustainabilitywritingartssummer-info-session-798jk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/sharing-news-azores-sustainabilitywritingartssummer-info-session</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/calendar/climate-solutions-workshop</loc>
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    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727801049097-961S68HN6VAXQFKDOHHN/Lawson.png</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) This manual offers advice on how one might manage their kitchen garden and, in doing so, makes the distinction between women's "common" knowledge and men's "expert" knowledge. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727801049097-961S68HN6VAXQFKDOHHN/Lawson.png</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) This manual offers advice on how one might manage their kitchen garden and, in doing so, makes the distinction between women's "common" knowledge and men's "expert" knowledge. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727801047544-3MX56X2SSSPNKVH7YA8I/image00020.jpg</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Datura stramonium, also called "Thornapple" for its spiky seedpods or "Devil's Trumpet" for the bell shape of its blossom. Medicinally, thornapple can reduce inflammation, however, it is highly poisonous and can cause delirium, psychosis, and even death. This specimen is held in the UMass Herbarium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727804968289-NO125OXD7N9YN69BQ7DD/Herbal.png</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>John Gerard, The Herball, or Generall Historie of Plantes (1633) Open to the entry for Devil’s Trumpet, this example invites visitors to consider the medicinal properties of this deadly plant--for example, when boiled with lard it is an effective anti-inflammatory. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752688620527-01JKA1AJKHCKLTTVAIG1/IMG_0752.JPG</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Original artworks are displayed alongside the books that inspired them in the reading room. Visitors to the exhibit opening for Fatal Flora meet artist Susan Montgomery and learn more about her work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727803688714-N5JAPGSRMCQW0J2CNCOO/img_9589.jpg</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>John Reynolds, The Triumphs of God’s Revenge Against the Crying and Execrable Sin of Murther (1679) This chronicle contains several "histories" detailing a variety of murders, several of which involved poisons--particularly women poisoning their husbands with plants. Held in the Kinney Center rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727803750532-BI19K6NUEB6TPS5942R6/image00018.jpg</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Aconitum napellus, also known as "wolfsbane" or "queen of poisons" While sometimes used as a sedative or fever reducer, a very small dose of wolfsbane can cause respiratory paralysis and heart failure. This specimen is held in the UMass Herbarium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752688637308-K4RJRGE03N5ZKA7TJCXL/IMG_0763.JPG</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Students attending the opening of Fatal Flora engage with a variety of rare material available in the Center’s collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elementsadjacent-calendar</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-07</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elementsadjacent-calendar/art-music-voice-of-the-whale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-07</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elementsadjacent-calendar/courtney-m-leonard-breach-logbook-24-staccato</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-07</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elementsadjacent-calendar/rachel-portmans-tipping-pointsnbspmary-lyon-concert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-07</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elementsadjacent-calendar/earth-amp-its-elements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-07</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/lifeunderground</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/25f44ecb-dc77-40c5-8156-73cc0dbed75a/Entry+%231+Banner.jpeg</image:loc>
      <image:title>Life Underground</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/lifeunderground/how-did-early-moderns-feed-the-soil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/228923b0-af2e-4e43-af86-7bdb1a82cfdf/Entry+%235+John+Worlidge%E2%80%99s+1681+Systema+Agriculturae+at+RC+Rare+S509+.W6+1681.jpeg</image:loc>
      <image:title>Life Underground - How did early moderns feed the soil? - Make it stand out</image:title>
      <image:caption>John Worlidge’s 1681 Systema Agriculturae at RC Rare S509 .W6 1681</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/34fca8bc-ac0e-4770-bfa1-b95c322bb45d/Entry+%235+Walter+Blith%E2%80%99s+1653+The+English+Improver+at+RC+Rare+S509+.B6+1653.jpeg</image:loc>
      <image:title>Life Underground - How did early moderns feed the soil? - Make it stand out</image:title>
      <image:caption>Walter Blith’s 1653 The English Improver at RC Rare S509 .B6 1653</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/a098d7cc-f00d-4fae-96cd-1d046f050cd4/Entry+%235+Caption+John+Worlidge%E2%80%99s+1681+Systema+Agriculturae+at+RC+Rare+S509+.W6+1681.jpeg</image:loc>
      <image:title>Life Underground - How did early moderns feed the soil? - Make it stand out</image:title>
      <image:caption>John Worlidge’s 1681 Systema Agriculturae at RC Rare S509 .W6 1681</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/0f2b34ea-74a3-41a2-8cf1-bccb3dc4890d/Entry+%235+Hannah+Fall+2024+in+the+garden.jpeg</image:loc>
      <image:title>Life Underground - How did early moderns feed the soil? - Make it stand out</image:title>
      <image:caption>Hannah in the garden, Fall 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/lifeunderground/what-happens-when-nematodes-stop-squirming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/bdd8c539-a8d2-49f6-8691-12b6cd60c6e9/Entry+%234+Small+carrot+plants+in+dry+garden+soil.+Fall+2024..jpeg</image:loc>
      <image:title>Life Underground - What happens when nematodes stop squirming? - Make it stand out</image:title>
      <image:caption>Small carrot plants in dry garden soil. Fall 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/a676250d-6ae0-416a-951b-199ff9d9df91/Entry+%234+Bacterial+%28free-living%29+nematode.jpeg</image:loc>
      <image:title>Life Underground - What happens when nematodes stop squirming? - Make it stand out</image:title>
      <image:caption>Bacterial (free-living) nematode</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/lifeunderground/what-is-beautiful-rotting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/0d13dae0-69d2-418d-aa2a-712105dbbd0a/Entry+%233+Bacterial+%28free-living%29+nematode.jpg</image:loc>
      <image:title>Life Underground - What is beautiful rotting? - Make it stand out</image:title>
      <image:caption>Bacterial (free-living) nematode</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/bf9217ec-592d-487d-9bdc-e16f56d40758/Entry+%233+Fallen+leaves+and+branches+providing+cover+and+organic+matter+for+soil.+Winter+2024..png</image:loc>
      <image:title>Life Underground - What is beautiful rotting? - Make it stand out</image:title>
      <image:caption>Fallen leaves and branches providing cover and organic matter for soil. Winter 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/lifeunderground/how-do-nematodes-mingle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/60afe0e9-5eab-4f20-a9f2-d4998739f6c8/Entry+%232+Lesion+Head.jpeg</image:loc>
      <image:title>Life Underground - How do nematodes mingle? Renaissance of the Earth Fellow, Hannah Gould - Make it stand out</image:title>
      <image:caption>Lesion head</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1748535905021-5CFW6UCJ1QVRO0E8S0MS/Entry+%232+Lance+head.jpeg</image:loc>
      <image:title>Life Underground - How do nematodes mingle? Renaissance of the Earth Fellow, Hannah Gould - Tylenchus head</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1748535905022-11YX4WBQKP28DDSLB8MH/Entry+%232+Ring+head.jpeg</image:loc>
      <image:title>Life Underground - How do nematodes mingle? Renaissance of the Earth Fellow, Hannah Gould - Ring head</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1748535905670-JR6R4OSV2AFJQU5N3CUX/Entry+%232+Tylenchus+head.jpeg</image:loc>
      <image:title>Life Underground - How do nematodes mingle? Renaissance of the Earth Fellow, Hannah Gould - Lance head</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/lifeunderground/digging-dirt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/14dc7d3c-e2ab-41cf-a6d8-ce1167d6e957/Entry+%231+Hannah+collecting+soil+samples.jpeg</image:loc>
      <image:title>Life Underground - What happens when you dig dirt? - Make it stand out</image:title>
      <image:caption>Hannah collecting soil samples</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/03112ab0-5bf9-4192-a4d3-2aaae7741ca3/Bacterial+%28free-living%29+nematode.jpg</image:loc>
      <image:title>Life Underground - What happens when you dig dirt? - Make it stand out</image:title>
      <image:caption>Bacterial (free-living) nematode</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/cdf5285e-d7ed-477e-847a-0b988c28ea6e/Entry+%231+Nematode+tables.jpeg</image:loc>
      <image:title>Life Underground - What happens when you dig dirt? - Make it stand out</image:title>
      <image:caption>Nematode tables</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/seasonal-distortions-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845491136-2J6IV98DSNIPU0JMX39T/Wharton+%281658%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) This text is an example of a 17th almanac, containing conventional information on meteorological phenomena, tidal activity, market dates, English history, and law terms. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845491136-2J6IV98DSNIPU0JMX39T/Wharton+%281658%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) This text is an example of a 17th almanac, containing conventional information on meteorological phenomena, tidal activity, market dates, English history, and law terms. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845503457-GFN56GM1SAU2VZOKL6HD/Wharton+%281658%29+2.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) Almanac owners often filled blank pages with writing, typically that associated with the activities of daily life. On this page we see an account of “Disease that was Amongst Horses in 1655.” Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845508187-4YRZZHRKBTQ636AXR9QX/Wharton+%281658%29+3.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) We also see annotated almanacs filled with notes of local travel, household accounts, and even medicinal or culinary recipes. This page includes a recipe for pickling mushrooms. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692172648-96NMPDFMN2G1K110ELA5/IMG_1392.JPG</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>Artist in Residence Felicity Sheehy reads from her original poetry, inspired by the Kinney Center’s collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845441630-SMH6Y1ZO6CVLGGDHGZVV/Browne+%281625%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>Daniel Browne, A New Almanacke and Prognostication (1625) Almanacs served as helpful guides for farmers and merchants, containing information on important dates of the year, market times, and lunar/tidal cycles. The early modern almanac was often published with a “prognostication,” which contains a list of major historical events, astrological predictions based on season and region, a husbandry guide, and chart for computing interest. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845445206-0OR2N7NYPMAEO2OOS3PG/Browne+%281625%29+2.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>Daniel Browne, A New Almanacke and Prognostication (1625) The anonymous owner of the Center’s 1625 almanac has written notes in the book’s calendars, mostly referencing travel. In this example, we see this almanac’s owner visited “knottford faire” on June 7. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692054388-8NZQ4TDWRMNDIR7LY94L/IMG_1358.JPG</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>As part of her residency, Felicity created a hands-on works that invited students, scholars, and members of the public to practice her process—engaging in creative and scholarly practice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845480148-LSV1JF03M6ONYS8IUF1Z/Evelyn+%281683%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>John Evelyn, Kalendarium Hortense (1683) This almanac, like many in the early modern period, guides the amateur gardener through each months of the year—laying out when to plant, when to harvest, and when to anticipate blossoms or fruit. Held in the Kinney Center’s rare book collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845485789-1QGDQY05I1O61CKL1N21/Evelyn+%281683%29++2.jpg</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>John Evelyn, Kalendarium Hortense (1683) For the month of June, Evelyn directs his reader on how to best harvest, dry, and distill herbs. He also encourages them to begin pest management now, offering a variety of methods to “destroy insects.” Held in the Kinney Center’s rare book collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692301661-XI5S6I53YIBK2F38B4YD/IMG_1374.JPG</image:loc>
      <image:title>Seasonal Distortions Gallery</image:title>
      <image:caption>Participants in Felicity’s workshop generated new poems as they engaged with rare texts and explored natural elements gathered from the Center’s landscape.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/apocalypse-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752783247346-R99MCBCDOVAJ1JJJHV8B/22110_071.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) The frontispiece of this text depicts a geological history of the earth that include the flood, followed by the formation of continents as the waters receded. Burnet also speculates that the earth will undergo a fiery conflagration before it returns to an Edenic state. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752765616678-677CCKMXGYVCONGLQU27/22110_071.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) The frontispiece of this text depicts a geological history of the earth that includes the flood, followed by the formation of continents as the waters receded. Burnet also speculates that the earth will undergo a fiery conflagration before it returns to an Edenic state. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752783247346-R99MCBCDOVAJ1JJJHV8B/22110_071.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) The frontispiece of this text depicts a geological history of the earth that include the flood, followed by the formation of continents as the waters receded. Burnet also speculates that the earth will undergo a fiery conflagration before it returns to an Edenic state. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692859162-N2GOWG135ZG7F7I2JI7V/IMG_2864.jpeg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Visitors to the exhibit opening gained hands-on experience using the Kinney Center’s 20th Century acorn press to print an excerpt from Burnet’s Sacred Theory of the Earth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761755334-0FIBUJGI2CV7PPNX5CPZ/Boulenger+%281688%29+2.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Jean Boulenger, Traite' de la sphere du monde (1688) This text by a French mathematician investigates the rotation and movement of the Earth and other planets. This diagram explains the revolutions of the planets around the sun. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761753633-CNKXFD22GE1FV4TDMD22/Heywood+%281635%29+1.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Thomas Heywood, Hierarchie of the Blessed Angels (1635) Heywood's poetical inventory of angels including their names, orders, and offices. Depicted in this copperplate engraving, we see the fall of Lucifer and the expulsion of Adam and Eve from Eden. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692859071-AW7NB39F0FDEYWNN0RBD/IMG_2832.jpeg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Suzette Marie Martin, Cherubim of the Flaming Sword (2023) This original work combines language and text from the IPCC Report (2021), Vulgate Bible (1495), Hierarchie of Blessed Angels (1634), and Traité de la Sphère du Monde (1688). Together these materials offer viewers an allegory of consequences for industrialized humanity’s cumulative, destructive behaviors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692549659-ZUATRKO7VJ8E2JB8VSCQ/Suzette+Reception+1.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Students and members of the Amherst community listen intently as artist Suzette Marie Martin discusses her process, interspersing images and text from current IPPC reports with images from early modern earth science and geological studies and the Vulgate Bible (1495).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761752532-WEPWU4W3NEZIRB9OF5CS/Vulgate+Bible+%281495%29+1.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Vulgate Bible (1495) This page is from the Book of Genesis. The two central columns are the text of the Bible, while the outer columns are commentary by Nicholas of Lyra (ca. 1270–1349). Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692904076-LKFAQOIQUFKD4ZC3N2UA/IMG_6127.jpeg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Marjorie Rubright, Kinney Center Director, welcomes guests to the opening of Apocalypse: Science &amp; Myth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761752420-2AFY05C4JXGQ04UXMFLY/Woodward+%281695%29.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>John Woodward, An Essay Toward a Natural History of the Earth (1695) Woodward wrote about the effects of the Biblical Deluge with a particular interest in geology and the formation of minerals. Like many writers of his time, he looked for scientific evidence of the creation of the world. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761755218-Q1B0QQFAYX217UO1CYFE/Boyle+%281677%29+1.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Robert Boyle, Paradoxica Hydrostatica Novis Experimentis (1677) Although this illustration of Boyle's air pump first appeared in his New Experiments Physico-Mechanical (1660), the Center's copy of his Paradoxa hydrostatica (1677) also contains this image. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752770966418-V4YUD4E9IPHB10S7AE3M/Screenshot+2025-07-17+at+12.49.18%E2%80%AFPM.png</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Suzette Marie Martin, Hydrostatica Paradoxica (2023). The air pump was used in experiments for some of Boyle’s most famous scientific contributions: that vacuums can exist in nature and that the pressure of air is in inverse proportion to its volume (Boyle’s Law). Juxtaposed with text from the Vulgate Bible and IPCC report, we are reminded that Boyle’s Law helps to explain how changes in pressure and volume affect the circulation of air pollution. Held in the Kinney Center’s permanent art collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692880393-QDL3QK26V6ZGV6YKJKNH/IMG_2935.jpeg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Martin’s depiction of Eve in a posture of grief comments on our own lived experiences of climate grief and eco-anxiety.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752763562525-853S8VC5TLVYL3YA8ZJS/IMG_6018.jpg</image:loc>
      <image:title>Apocalypse Gallery</image:title>
      <image:caption>Visitors to the exhibit view the materials integral to Martin’s process, learning more about how she incorporates ideas and imagery from our rare books into her art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/foraged-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761113174-VXSVDZNSPDF60IJNNF1M/Bradley+%281731%29+2.jpg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Bradley (1731)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761113174-VXSVDZNSPDF60IJNNF1M/Bradley+%281731%29+2.jpg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Bradley (1731)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761114453-HB05H665NWWNCV1YRFGU/Agricolia+%281726%29.jpg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Agricola (1726)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761113211-ZWM4MQAMM6RVQYZ7YN8Z/Bradley+%281731%29+1.jpg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Bradley (1731)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761157754-UAATT0EOGVOIDPL4UYTP/Lonicer+%281564%29.jpg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Lonicer (1564)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762297544-KD63PFJWVWWC8W9IT56J/IMG_5766.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Gerard (1633)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762297437-604BUG7PY3X37ENK893J/IMG_5764.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Gerard (1633)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762299588-7XZDWI9A5MC5GMUH9G5S/IMG_5763.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Gerard (1633)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762299515-ZWUB530KR38GDBZ7WN8J/IMG_5765.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Gerard (1633)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762301396-E4V8GSM4OHKQSYF9FW8P/IMG_5768.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Gerard (1633)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762476976-2XHN8Z7KXDPJ7SY4XAAE/IMG_5799.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Guests to Madge’s exhibit learn about her cyanotype and mushroom spore printing process.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752762483068-9U4FX0C91WG81XQ7DUKE/IMG_5804.jpeg</image:loc>
      <image:title>Foraged Gallery</image:title>
      <image:caption>Artist Madge Evers talks with visitors about the details of one of her mushroom spore prints featured in Forage: Kitchen Garden Herbaria.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elusive-prize-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864248504-EQS0X2O8Q1CR2OQYGW9F/17th+century+music+ink+damage.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Music with ink damage (c. 17th century) Iron gall ink can be quite acidic in nature and over time it can corrode and leave holes in paper like this piece of 17th century music. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864248504-EQS0X2O8Q1CR2OQYGW9F/17th+century+music+ink+damage.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Music with ink damage (c. 17th century) Iron gall ink can be quite acidic in nature and over time it can corrode and leave holes in paper like this piece of 17th century music. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864255803-VNMMDU1TZYKV64UMS24U/Bodin+%281594%29+and+Giovio+%281558%29.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Jean Bodin, De republica (1594) Paolo Giovio, La prima parte dell'historie del svo tempo (1558) Vellum (calfskin, treated and scraped but not tanned) was often used in book binding and sometimes for printing. Here, we see that the vellum binding has curled over time, revealing manuscript material used in the binding. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864276577-09FHNHMWOCNU1TFXF0TF/Land+Grant+1629.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Land Grant (1629) Vellum was used for legal documents, as seen here, in addition to book binding as in the previous image. Note the creases from the original fold of the document visible here. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692483132-6565HD2D3LRJU57VSQ3R/BG+in+action.JPG</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Artist Brandon Graving highlight this original work printed on vellum using iron gall ink during her artist’s talk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692468115-AR312GWHPCNJB37RYHWV/IMG_0560.JPG</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Visitors to the Elusive Prize exhibit discuss Brandon’s original works with Liz Fox, Arts &amp; Academic Coordinator at the Kinney Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864251372-GUKXJNU7P53KCIJ2TEE2/Antiphonal+17th+century.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Antiphonal (c. 17th Century) This Italian antiphonal is meant to be viewed by the entire choir and is a good example of manuscript on parchment. Parchment, like vellum, is animal skin that has been cleaned, dehaired, stretched, and dried to create a durable, surface for writing. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864263439-ZNQDKNZ0QAKX8DNJHL1X/French+Book+of+Hours+ca.+1375.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>French Book of Hours (c. 1375) This single leaf from the Book of Psalms is written in Latin. The writing and decoration were done entirely by hand. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864280353-QYVGNDFQRLX61SDX43E2/Nisseno+%281636%29.jpg</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Diego Nisseno, Quaresimale del Nisseno (1636) It was common practice to bind books with leftover paper from other projects. This cover of this text is composed of two different manuscripts: one with portions of Tobias 6; the other from a missal. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692483209-Z0665QL1KKE7SMELKBEB/IMG_0512.JPG</image:loc>
      <image:title>Elusive Prize Gallery</image:title>
      <image:caption>Artist Brandon Graving gives an artist’s talk to an engaged audience at the opening reception for the exhibit.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/coral-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112733063-CG5IDXV4R1FRU8F3MNRJ/Ovid+%281632%29+1.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>Ovid, Metamorphosis (1632). This upper portion of this image from Metamorphosis shows Perseus slaying the Gorgon, Medusa, whose gaze turns people to stone. We also see his battle with the sea monster, Cetus. After the battle Perseus washes the head of Medusa in the ocean, her blood transforms the leaves and twigs under the water into a different substance, coral. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112733063-CG5IDXV4R1FRU8F3MNRJ/Ovid+%281632%29+1.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>Ovid, Metamorphosis (1632). This upper portion of this image from Metamorphosis shows Perseus slaying the Gorgon, Medusa, whose gaze turns people to stone. We also see his battle with the sea monster, Cetus. After the battle Perseus washes the head of Medusa in the ocean, her blood transforms the leaves and twigs under the water into a different substance, coral. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752760195883-W0XERFM3SRO73JIBOMLT/coral.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>John Gerard, The Herball, or Generall Historie of Plantes (1633) While underwater coral is soft and pliant, when it is exposed to air it hardens. In his Herball, Gerard describes coral as capable of being hard as stones, yet its nature makes it more fit to be categorized among the mosses. Coral defies tidy categorization and taxonomy. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752760195885-44A9Y9QSW9A8Z86858F8/coral+2.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>John Gerard, The Herball, or Generall Historie of Plantes (1633) Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112733039-PLEOO6R5QS07PO04997K/Lonicer+%281564%29+1.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1584) Although “Kreuterbuch” translates to “herb book” in English, Lonicer’s text contains much more. This page, for example, documents a variety of sea creatures. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112734223-ZV7CHYY74DVV6N44CDJJ/Ariosto+%281609%29.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>Ludovico Ariosto, Orlando Furioso (1609) Perseus and Cetus is not the only instance in literature of a hero battling a seemingly unstoppable sea monster. In this Italian epic poem the knight Orlando fights against a creature known as an "orc". Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112734319-30ICKXNK5VFO9YO1E9Y6/Hygnis+%281644%29.jpg</image:loc>
      <image:title>Coral Gallery</image:title>
      <image:caption>Julius Hyginus, Poetica Astronomica (1578) The subjects of Greek and Roman mythology are often placed among the stars and appear as constellations, including Cetus, and as we see here, Perseus. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/earthly-extractions-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112772491-S5QVEYGKAQ17YMYWMQR6/Lonicer+%281564%29+2.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1564) Although not primarily a mining text, Lonicer’s Kreuterbuch (herb book) contains passages on earth-derived minerals like ores and gems. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112772491-S5QVEYGKAQ17YMYWMQR6/Lonicer+%281564%29+2.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1564) Although not primarily a mining text, Lonicer’s Kreuterbuch (herb book) contains passages on earth-derived minerals like ores and gems. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112767651-0F1DO825JV37PEP1SHSX/Ralegh+%281674%29.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Walter Raleigh, The History of the World (1674) Raleigh draws analogies between human anatomy and earthly elements, including flesh as earth and dust, bones as rock and stone. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112771398-776Z9SF8RE2MU6SPR0W3/Ovid+%281632%29+2.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Ovid, Metamorphoses (1586) In Book Ten of the Metamorphoses, Orpheus descends into the Underworld to retrieve his wife Eurydice after she dies from a snakebite on their wedding day. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112770166-ITHRNC5UGQNN52GU6VBS/Munster+%281628%29.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Sebastian Munster, Cosmographia (1628) This example of a cosmography (description of the world) features a woodcut of the Stromboli volcano in Italy. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760028213231-342HQN6MUYD5U4ZP1GT2/Dante+%281564%29+3.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Dante Alighieri, Inferno (1564) Book Three of Dante’s Inferno features the gates to hell with the famous inscription, “Abandon hope all ye who enter”. In this image, we see the gates in the top right corner near the earth’s surface opening onto a spiraled descent to the river Styx. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112772772-LY6UGVWYDV2UMGIGCIFZ/Heylyn+%281670%291.jpg</image:loc>
      <image:title>Earthly Extractions Gallery</image:title>
      <image:caption>Peter Heylyn, Cosmographie (1670) This map of the Americas features some striking visual elements in land and sea including an uneven density of place names around the continents as well as ships and serpents occupying the oceans. Held in the Kinney Center’s rare book library.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/grafting-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112825281-1H8CIE1K4G92FJOGSD2W/Lawson+%281648%29+4.jpg</image:loc>
      <image:title>Grafting Gallery</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) This manual offers advice on how one might manage their estate. On this page, he advises the orchardist on how to best shape their fruit trees. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112823961-104I1RXG9CK3F2ZT2K9Z/Copy+of+Ovid+%281632%29+1.jpg</image:loc>
      <image:title>Grafting Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112825281-1H8CIE1K4G92FJOGSD2W/Lawson+%281648%29+4.jpg</image:loc>
      <image:title>Grafting Gallery</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) This manual offers advice on how one might manage their estate. On this page, he advises the orchardist on how to best shape their fruit trees. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753461613422-OHD3V6GRKZ7OFERUSYKY/IMG_4258.jpeg</image:loc>
      <image:title>Grafting Gallery</image:title>
      <image:caption>Local orchardist, Matt Kaminsky, leads UMass students in a pruning workshop to prepare the Center’s orchard for spring.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112827440-MZEGAGC5QZ9YUXB93LYX/Lawson+%281648%29+3.jpg</image:loc>
      <image:title>Grafting Gallery</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) Here, Lawson describes the process for grafting, a practice essential to any aspiring fruit grower. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112824022-UOWOO3DNUNH3F38E8V3J/Agricola+%281726%29+2.jpg</image:loc>
      <image:title>Grafting Gallery</image:title>
      <image:caption>Georg Andreas Agricola, The Experimental Husbandman and Gardener (1726) This book describes innovative horticultural techniques including grafting, cultivation, and other practices. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753461615096-APANNYHGFQA0XYCEQYBX/IMG_4264.jpeg</image:loc>
      <image:title>Grafting Gallery</image:title>
      <image:caption>Students work in the Kinney Center’s orchard in early spring to learn the art of pruning and shaping fruit trees for health and growth. Many of the same techniques from Agricola and Lawson are employed today.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-water-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341201308-60XJSSPUJ32AMPAZZWPW/Geneva+flood.jpg</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>Geneva Bible (1594) In the book of Genesis’ account, the universal flood symbolizes a catastrophic disruption of Earth's ecological balance, where water floods the land, wiping out all life forms, except for Noah, his family, and the animals preserved in the ark to repopulate and restore the natural world. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341201308-60XJSSPUJ32AMPAZZWPW/Geneva+flood.jpg</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>Geneva Bible (1594) In the book of Genesis’ account, the universal flood symbolizes a catastrophic disruption of Earth's ecological balance, where water floods the land, wiping out all life forms, except for Noah, his family, and the animals preserved in the ark to repopulate and restore the natural world. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341346960-HGK8EYQBP49G1WFICG80/Copy+of+22110_071.jpg</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) Burnet posits that the Earth's original, pristine state was a watery paradise, and that a great flood, driven by the rupture of the Earth's waters, reshaped the planet's surface and led to the current geological and environmental order. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757340883030-7A1HG8TIAL1BIAMFHCFD/IMG_0771.JPG</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>Richard Verstegan, A Restitution of Decayed Intelligence (1605) According to Verstegan, the Tower of Babel—shown on this title page—was not an act of disobedience, but a practical engineering effort by humans to live sustainably in a world vulnerable to flooding. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757340996766-IY2U0T026WDVL8UM08T1/Copy+of+22110_018.jpg</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>John Worlidge, Systema Agricultura (1681) In Systema Agricultura, John Worlidge highlights the importance of irrigation as a key agricultural practice for improving crop yields and managing water resources effectively. Held in the Kinney Center’s rare book library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757340946396-ANPTHAII7IE6JYOC547X/Lonicer+%281564%29+1.jpg</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1564) The Kreuterbuch (which translates to herb book) includes detailed illustrations not only of plants but also of animals, reflecting the interconnectedness of flora and fauna in early modern natural history. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341211684-N4GWPYESMF9GX6XIYACK/IMG_8176.jpg</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>William Shakespeare, The Tempest (Second Folio, 1632) The Tempest’s mysterious island setting operates as a symbol for isolation, transformation, exile, and desolation as water defends and contains island inhabitants. On loan to the Kinney Center by a generous friend.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341300657-Q2Y7KWVRCBSTCMIHEBIW/IMG_3600.JPG</image:loc>
      <image:title>Elemental Thinking: Water Gallery</image:title>
      <image:caption>Ovid, Metamorphosis (1586) In Book Four, Ovid describes Cetus as a monstrous sea creature akin to a whale, emphasizing its vast, uncontrollable power as both a force of nature and a test for Perseus’ heroism. Held in the Kinney Center’s rare book collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-earth-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553168839-XZU05QJ2KM79TB5B0KAE/Evelyn+%281679%29+1.jpg</image:loc>
      <image:title>Elemental Thinking: Earth Gallery</image:title>
      <image:caption>John Evelyn, Sylva, or a Discourse on Forest Trees (1679) In its original context this text was a report to the British Navy that advocated for reforestation given the excessive felling of trees to build ships for war and exploration. However, it also contains details information on tree species and their uses, such as this image depicting how one might gather sap from birch trees. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553168839-XZU05QJ2KM79TB5B0KAE/Evelyn+%281679%29+1.jpg</image:loc>
      <image:title>Elemental Thinking: Earth Gallery</image:title>
      <image:caption>John Evelyn, Sylva, or a Discourse on Forest Trees (1679) In its original context this text was a report to the British Navy that advocated for reforestation given the excessive felling of trees to build ships for war and exploration. However, it also contains details information on tree species and their uses, such as this image depicting how one might gather sap from birch trees. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553193422-W9UUZRKTDQO9DDFEVVLC/IMG_0140.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Gallery</image:title>
      <image:caption>Francis Bacon, Sylva Sylvarum (1685) Given the similarities of their titles, you might expect that this text, like Evelyn’s also focuses on trees. However, here the “forest of forests” becomes metaphor for a collection of Bacon’s experiments and observations of natural history, including metallurgy. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553148513-1I52O3N866IO95FRKU1B/IMG_0138.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Gallery</image:title>
      <image:caption>John Ray, A Collection of English Words (1674) This catalog of English words also contains catalogs of bird and fish species alongside instructions on refining various metals. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553218663-2ICJO5HKWCBZYUOB2M14/IMG_0143.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Gallery</image:title>
      <image:caption>Thomas Browne, Pseudodoxia Epidemica (1650) Browne aims to disprove and discredit commonly held superstitions in this text. For example, he refutes the belief that mandrake roots shriek when pulled from the ground or frequently grow under gallows. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553239270-M5TNYVXMV52OBN4OTE81/IMG_0142.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Gallery</image:title>
      <image:caption>John Gerard, The Herball or General History of Plants (1633) The woodcut images of plants in Gerard’s Herbal also contain depictions of the root system. But in this example of the mandrake, notice the emphasis on the root over the leaves in comparison to the henbane. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-air-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762789325858-JJEE65G1PXXNSCD21L53/Copy+of+22110_141.jpg</image:loc>
      <image:title>Elemental Thinking: Air Gallery</image:title>
      <image:caption>Walter Blith, The English Improver Improved (1653) This manual, like other land management manuals, guides the reader’s practical engagements with the land by drawing on Blith’s own experience as farmer and surveyor. Exploring how a farmer might harness natural energies, he includes an impressive fold-out engraving of a windmill. Held in the Kinney Center’s Rare Book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762789325858-JJEE65G1PXXNSCD21L53/Copy+of+22110_141.jpg</image:loc>
      <image:title>Elemental Thinking: Air Gallery</image:title>
      <image:caption>Walter Blith, The English Improver Improved (1653) This manual, like other land management manuals, guides the reader’s practical engagements with the land by drawing on Blith’s own experience as farmer and surveyor. Exploring how a farmer might harness natural energies, he includes an impressive fold-out engraving of a windmill. Held in the Kinney Center’s Rare Book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788572049-HJNE3R0OFBIQ5JPIAQHV/IMG_0317.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Gallery</image:title>
      <image:caption>Richard Bradley, New Improvements of Planting and Gardening (1731) Bradley viewed blights as manifestations of environmental imbalance—often spread through “corrupted air” or excess moisture. He treated blight as both a natural and moral warning, urging careful management of air, soil, and season to preserve crop health. For Bradley, understanding blights meant reading the invisible influences of the atmosphere. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788575203-WG08FN2POYUXLHSOA2ZH/IMG_0321.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Gallery</image:title>
      <image:caption>Ovid, Metamorphosis (1586) In Book 8 of Metamorphosis, Daedalus crafts wings of feathers and wax so he and his son, Icarus, can escape Crete. He teaches Icarus to fly through the middle air: not too low, where the sea’s dampness would weigh him down, nor too high, where the sun’s heat would melt the wax. Air, in this tale, becomes the realm of human aspiration and Icarus’ fall shows that the air, though liberating, is also perilous when pride overtakes wisdom. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788572001-UVMI8I1IGNG3SQIXO31J/IMG_0316.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Gallery</image:title>
      <image:caption>John Worlidge, Systema Agriculturæ (1676) As an agriculturalist, Worlidge treats wind as both a practical concern for farmers and a messenger of atmospheric change—its direction, strength, and quality foretelling rain, storms, or fair skies. In this text, wind is not just a natural force but a readable language that allowed farmers to prepare for upcoming weather events. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788573287-ULB2P673XDJCMPMJQ14U/IMG_0318.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Gallery</image:title>
      <image:caption>Robert Boyle, Paradoxica Hydrostatica (1677) Using his air pump, shown here, Boyle demonstrated that air exerts pressure and that this pressure is essential for respiration, combustion, and the behavior of fluids. His discovery—later formalized as Boyle’s Law—transformed air from a mysterious element into a measurable physical force, marking a turning point in the scientific understanding of the atmosphere. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-fire-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155572679-R5ZPL2114CHUBJ4NPYNP/IMG_9820.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Gallery</image:title>
      <image:caption>John Donne, Devotions (1624) Reading by candlelight was a common practice, but was not without risks.One reader held the book too close to the flame and set the text on fire. On loan from the private collection of Joseph Black.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155572679-R5ZPL2114CHUBJ4NPYNP/IMG_9820.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Gallery</image:title>
      <image:caption>John Donne, Devotions (1624) Reading by candlelight was a common practice, but was not without risks.One reader held the book too close to the flame and set the text on fire. On loan from the private collection of Joseph Black.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155572896-K4PCFDOTCPWNO34JKZQM/22110_072.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Gallery</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) Just as he hypothesized that the earth was once covered in water, Burnet also asserted that the earth must endure a fiery conflagration that will allow it to return to its hollow, egg-like shape. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155832597-Q9R0IMI5XNQEOHS7F4V0/IMG_0342.jpeg</image:loc>
      <image:title>Elemental Thinking: Fire Gallery</image:title>
      <image:caption>Robert Boyle, New Experiments, touching the relation betwixt flame and air (1672) Boyle uses his air pump to better understand the relationship between these two elements, discovering, for example that fire needs air to burn. On loan from the Archives &amp; Special Collections, Amherst College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155832595-Z0AX4SUYY47RFK306FJ0/IMG_0343.jpeg</image:loc>
      <image:title>Elemental Thinking: Fire Gallery</image:title>
      <image:caption>William Shakespeare, Henry VIII (1623) It was during a performance of Henry VII in 1613 that the cannon fire called for in Act One set the thatch roof of the Globe on fire. On loan from the Gillespie Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155677390-MJW13MIC1TXVXJ4Z0XHP/Screenshot+2025-11-14+at+4.21.24%E2%80%AFPM.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Gallery</image:title>
      <image:caption>John Swan, Speculum Mundi (1635) This text, like Burnet’s Sacred Theory, attempts to reconcile scientific and religious understandings of the world. He explores the world’s beginnings, its impending demise, and its natural phenomenon—including the various fires in the skies such as comets, meteors, and firedrakes. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1661956273486-QEXFT3XEKC47ACSIO28V/Copy%2Bof%2BSlides%2Bfor%2BSaturday%2B%25281366%2B%25C3%2597%2B500%2Bpx%2529-3.jpg</image:loc>
      <image:title>Home</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/24861e60-4655-458e-8b71-df189250338c/Untitled+design-2.png</image:loc>
      <image:title>Home</image:title>
      <image:caption>The strengths of the Center’s special collections include Botany, Gardening, Agriculture, Pomology, &amp; Animal Husbandry.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/books</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/75459c96-dbf3-4d70-940b-aeeaf0b19831/RoE+Site+Hexagon-19.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/90e9c471-e730-40b1-b190-7209fff785e9/RoE+Site+Hexagon-18.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/e48b840c-a79c-425e-9ec6-631d6d58bbbd/RoE+Site+Hexagon-8.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/cc58cbb1-aa0e-405c-b811-befdb6c9788e/RoE+Site+Hexagon-6.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/682a5c8b-e605-4d92-936c-a4888ed739c6/RoE+Site+Hexagon-7.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/381c05ca-cb4a-4ad0-9228-22a440399ef9/RoE+Site+Hexagon-5.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>John Evelyn, Kalendarium Hortense (1683)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/4c5175c8-c3f0-4fd0-b3f1-27aa047470f7/Copy+of+Untitled+Design-4.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/5eff2c94-a4fd-4f22-9711-c3e152eef689/RoE+Site+Hexagon-4.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Paolo Giovio, La prima parte dell'historie del svo tempo (1558)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/feecd107-34bc-418e-b3c1-21160bbc5a47/RoE+Site+Hexagon-2.png</image:loc>
      <image:title>Rare Book Exhibits - Make it stand out</image:title>
      <image:caption>Suzette Marie Martin, Tipping Points, 2023</image:caption>
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      <image:title>Collaborators - Marie Comuzzo</image:title>
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      <image:title>Collaborators - Katharine Owens</image:title>
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      <image:title>Collaborators - Cecilia Lim</image:title>
      <image:caption>UMass, Class of ’99 Fall 2025 Kinney Center Visiting Scholar</image:caption>
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      <image:caption>Director, Elements Five College Visiting Associate Professor, Music History</image:caption>
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      <image:caption>Associate Professor, Public Policy Director of Graduate Studies</image:caption>
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      <image:caption>Associate Professor, Political Science Director, Russian, Eurasian, &amp; Polish Studies Program</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/6d7b442b-18ba-4d2b-a5c9-2b3228a75623/Copy+of+Untitled+Design-3+copy.png</image:loc>
      <image:title>Collaborators - Brian Yellen</image:title>
      <image:caption>Massachusetts State Geologist Research Assistant Professor, Earth, Geographic, &amp; Climate Sciences</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/d8a6bf01-1d6c-4d4d-bbcc-d724fbaaa7fd/Copy+of+Untitled+Design-46.png</image:loc>
      <image:title>Collaborators - Britt Crow-Miller</image:title>
      <image:caption>Graduate Program Director, Sustainability Science &amp; Regional Planning</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/bf7c1bfd-af88-4e9d-8885-ad2233b735a9/Copy+of+Untitled+Design-39.png</image:loc>
      <image:title>Collaborators - Lisa Depiano</image:title>
      <image:caption>Lecturer, Sustainable Agriculture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/ec5b2729-b6f7-4b9d-b0a7-6c7fd5a9ae6a/Copy+of+Untitled+Design-51.png</image:loc>
      <image:title>Collaborators - Sandy Litchfield</image:title>
      <image:caption>Associate Professor, Architecture Founder, On Distant Keys</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/00349941-72fb-431a-a7b4-b69e7ff2bd99/Copy+of+Untitled+Design-4.png</image:loc>
      <image:title>Collaborators - Edie Meidav</image:title>
      <image:caption>Provost Professor, English</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/49b88b77-14e1-4a63-b4e9-b98aa637c86e/Copy+of+Untitled+Design-48.png</image:loc>
      <image:title>Collaborators - Marissa Nicosia</image:title>
      <image:caption>Founder, Cooking in the Archives Associate Professor, English Penn State Abington</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/e76b739e-5e15-4151-a512-4dc9ca9f0a68/Copy+of+Untitled+Design-54.png</image:loc>
      <image:title>Collaborators - Malcolm Sen</image:title>
      <image:caption>Associate Professor, English Director, Environmental Humanities Specialization</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/921bc221-ef44-495f-ba25-51c7dfa6ecee/Copy+of+Untitled+Design-50.png</image:loc>
      <image:title>Collaborators - Meg Vickery</image:title>
      <image:caption>Lecturer &amp; Undergraduate Program Director, History of Art &amp; Architecture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/28385c37-533c-46a7-8d11-aa65dd7a267c/sheep.png</image:loc>
      <image:title>Collaborators - Sheep</image:title>
      <image:caption>We graze the land as part of Sustainable Ewe Mass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/43b3458b-2881-4484-abc8-6f71596b7b10/deer.png</image:loc>
      <image:title>Collaborators - DeeR &amp; Fawn</image:title>
      <image:caption>We play a crucial role in maintaining the health and diversity of the Center’s ecosystems … and occasionally snack on apples in the orchard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/2826d461-d53b-4bbe-a639-961d7a44e8dd/Bird.png</image:loc>
      <image:title>Collaborators - am I a Hawk or Falcon?</image:title>
      <image:caption>As key players in the wildlife of the Center, we’re the hardest to catch on camera!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/3c329e6e-a54d-4ee3-beb9-0f24da1bcbd6/bees.png</image:loc>
      <image:title>Collaborators - Bees</image:title>
      <image:caption>We collaborate with the UMass Bee Keeping Club, who welcome us every year with new hives on the Center grounds so we can work hard at pollinating the apple blossom trees</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/066341c8-c8d6-4257-bf8b-ad5c885236aa/bunnies.png</image:loc>
      <image:title>Collaborators - Bunnies</image:title>
      <image:caption>We work all summer eating everything the Fellows plant in the garden — we also build our forms in the garden, because it is a safe place for our baby “kits”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/a6e3c11d-f6be-4fbc-8956-d6951132a697/nematode.png</image:loc>
      <image:title>Collaborators - Nematodes</image:title>
      <image:caption>I’m part of a lively microscopic world of creatures roaming beneath your feet. The lives of wriggly nematodes help to balance the soil in all kinds of ways. Visit the Blog “Life Underground” in which we play staring roles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/anthropocene-lab</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-25</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/art-exhibits-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-27</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/apocalypse</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/foraged</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/mapping-terroir</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elements</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1706814340036-30Z8W93RJSN0O2DLVSMX/Elements-logo2024.jpg</image:loc>
      <image:title>Elements</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/futuring-lab</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/7925ccc1-d636-4edb-af86-98acf9d92004/Awakening_poster+draft.jpg</image:loc>
      <image:title>Futuring Lab - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/5be4fe20-33eb-4390-9ab5-d996b599db5b/The+Futuring+Lab_6.jpeg</image:loc>
      <image:title>Futuring Lab - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/living-methods</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/bc38642f-71fc-4e9a-83e7-da65019c67f3/Living+Methods+v.4+copy.jpg</image:loc>
      <image:title>Living Methods</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elusive-prize</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-18</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/fatal-flora</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-27</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/umass-natural-history-collections</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/7d042d5e-bd03-4aaf-9a9d-45a5b0f9a4a6/Where+Life+Lives.jpg</image:loc>
      <image:title>UMass Natural History Collections - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elementsadjacent-events</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1706814340036-30Z8W93RJSN0O2DLVSMX/Elements-logo2024.jpg</image:loc>
      <image:title>Elements-Adjacent Events</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/residencies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-12</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/fellows</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/248ba536-7eab-4595-baa8-b8349b63a247/Boram_Kim_MFA+Graduate+Student.jpg</image:loc>
      <image:title>2025 Fellows - Meet Bo Kim!</image:title>
      <image:caption>Bo Kim is a third-year MFA candidate in Studio Art whose research explores the intersection of ecological memory, participatory art, and Korean diasporic practices. Her work integrates archival inquiry, traditional materials, and environmental pedagogy to address climate grief and collective repair. As a Renaissance of the Earth Fellow, Bo will examine early modern texts focusing on cultivation tools and land management practices to explore transhistorical agrarian knowledge and sustainability.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/5068f732-dbe7-46df-b307-28220bbe8a36/Screenshot+2025-09-16+at+9.22.28%E2%80%AFAM.png</image:loc>
      <image:title>2025 Fellows - Meet Aliza Fassler!</image:title>
      <image:caption>Aliza Fassler is a PhD candidate in the Department of Environmental Conservation, where she studies wild bees in forests. She also serves as co-chair of the UMass Bee Campus USA Committee, working to enhance pollinator habitats on campus and engage the UMass community in pollinator education and stewardship. As a Renaissance of the Earth Fellow, Aliza will document pollinators at the Kinney Center and explore connections between the entomological techniques she uses today and early modern methods of observing the natural world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/0b746bda-bf44-49b3-9656-a7c218002737/Screenshot+2025-10-06+at+11.05.58%E2%80%AFAM.png</image:loc>
      <image:title>2025 Fellows - Meet Kiran Jandu!</image:title>
      <image:caption>Kiran Jandu is an art practitioner and academic working in experimental film, interactive performance, and site-based installation. Utilizing an archival research praxis, Kiran’s work addresses themes of intersectionality, mindfulness, and ecology. As a Renaissance of the Earth Teaching fellow, Kiran is co-organizing a workshop Grounded Knowledge: Wild Clay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/5221af7c-4089-4542-a610-7e452f2e5b10/Screenshot+2025-10-06+at+11.06.06%E2%80%AFAM.png</image:loc>
      <image:title>2025 Fellows - Meet Michael Medeiros</image:title>
      <image:caption>Michael Medeiros works at the intersection of words and artistic imagery, with a deep questioning of perceptive and conceptual experience driving his practice. Primarily a poet and ceramist, he also connects photography, printmaking, fiction and narrative non-fiction into community public art collaborations. As a Renaissance of the Earth Teaching fellow, Michael is co-organizing a workshop Grounded Knowledge: Wild Clay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/ea422dd1-3309-4e4b-b4e0-c1b97f22c3c6/EB_ChestnutTree.jpg</image:loc>
      <image:title>2025 Fellows - Meet Ellena Baum</image:title>
      <image:caption>Ellena Baum is a MS student in Sustainability Science, with a background in small-scale regenerative farming and hands-on nature education for youth and adults of all ages. Her work focuses on hybrid chestnut trees and other staple perennial nut and fruit crops in the Connecticut River Valley. As a Renaissance of the Earth Teaching Fellow, she will offer a workshop in Fall 2026 that explores how early moderns cultivated, tended, and imagined chestnut trees.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/bb6a2abd-539b-4335-9f8d-cfb3c6d91242/Gould_Headshot.jpg</image:loc>
      <image:title>2025 Fellows - Congratulations, Hannah!</image:title>
      <image:caption>Renaissance of the Earth Fellow, Hannah Gould, won the 2025 Gerald F. Scanlon Student Employee of the Year Award in recognition of her outstanding research and public humanities projects at the Kinney Center and contributions to the UMass community.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/d33939f3-4aed-4c74-bdb0-9045fcec0faf/Scout+Bio+Pic.jpg</image:loc>
      <image:title>2025 Fellows - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/75500a0c-07bc-4029-b55c-b6bf7d6b0892/Hannah+Garden.jpg</image:loc>
      <image:title>2025 Fellows - Hannah Gould</image:title>
      <image:caption>Hannah Gould English &amp; Applied Plant and Soil Science School of Humanities &amp; Fine Arts Stockbridge School of Agriculture Hannah’s research includes public-facing materials that educate visitors to Kinney Center’s 28 acre grounds about the ecological histories and modern crises that face some of the plants and trees that grow there. Hannah is the recent recipient of the Undergraduate Sustainability Research Award for her project Community Classroom of Hope and she is currently serving as the Undersecretary of Sustainability in the Student Government Association for UMass.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/adac8c8c-d95f-4070-b327-ebfe0675711a/IMG_6124.jpg</image:loc>
      <image:title>2025 Fellows - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/related-projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/14fd2c85-d7db-45f6-aead-f3b0b31629c9/Screenshot+2025-06-25+at+9.57.23%E2%80%AFAM.jpg</image:loc>
      <image:title>Related Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/c88c37bb-9bac-4fd2-b94c-fdb4293b1473/Screenshot+2025-03-13+at+11.43.42%E2%80%AFAM.jpg</image:loc>
      <image:title>Related Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/312f5d53-8a67-4a35-b86e-501fe795a8dc/Screenshot+2025-03-13+at+12.06.11%E2%80%AFPM.png</image:loc>
      <image:title>Related Projects</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/collaborators-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-14</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/2cae5a7f-823d-4b04-bbe3-1e1df8a206fe/Screen+Shot+2025-04-01+at+7.36.53+AM.png</image:loc>
      <image:title>News</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/d3abe0ed-1a6f-40c1-8426-f89f57cdc283/Gould_Headshot.jpg</image:loc>
      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/upcoming-artists-in-residence</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/21acb470-e2a0-412d-8bba-7680d2944a2e/Ira+Klein_Headshot.jpg</image:loc>
      <image:title>2025-2026 Artists in Residence - Ira Klein</image:title>
      <image:caption>Ira Klein is a Brooklyn-based guitarist, composer, and educator. During his Spring 2026 Residency, he will explore the question “What Do Stars Sound Like?” by pairing Renaissance-era musical motifs through a modern lens, composing new works that reflect historical echoes in contemporary sound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/8cbd83e8-8e73-48cd-b2c9-7cf65db2e5db/Artist+Portrait.jpg</image:loc>
      <image:title>2025-2026 Artists in Residence - Missy Dunaway</image:title>
      <image:caption>Missy Dunaway is an interdisciplinary artist based in Portland, ME. In Summer 2026, she will explore the folklore and mythologies surrounding birds in the early modern period to draw new connections between the Renaissance imagination and modern ecological concerns about the winged creatures who bear witness to our changing planet. Attend Missy’s Gallery Talk at the Folger Shakespeare Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/b4a89339-4ecf-4abb-8a79-3ad319cf618d/LLCoyne-May2025.jpg</image:loc>
      <image:title>2025-2026 Artists in Residence - Lauren Levato Coyne</image:title>
      <image:caption>Lauren Levato Coyne is a queer, interdisciplinary artist, writer, and STEAM educator who explores the intersections of natural history, myth, and identity. At the Kinney Center, they will conduct new research for a project called “Longing for Strangeness: Gardens, Monsters, and Other Third Nature Fables,” a multidisciplinary exploration of Renaissance and post-human ecologies that speaks to how nature has been imagined, feared, and mythologized across time. Their exhibit will open in Fall 2026.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/archipelago</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/c7923c5d-8112-4e47-a142-0af66f2a7d8f/azores+map.png</image:loc>
      <image:title>Archipelago - Make it stand out</image:title>
      <image:caption>View of the Archipelago of the Azores Islands in the Atlantic Ocean, Vincenzo Maria Coronelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/9403376c-fa83-4ec2-9cbc-1504e8f1793f/2026+info+session+-+March+-+Azores.jpg</image:loc>
      <image:title>Archipelago - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/0c553005-cf5c-4e69-9534-5faa19432d65/sustainability%2C+listening+to+the+stories+of+a+place.jpg</image:loc>
      <image:title>Archipelago - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/4649a4cd-0f92-4a99-a90a-777757013fe3/2sustainability%2C+listening+to+the+stories+of+a+place.jpg</image:loc>
      <image:title>Archipelago - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/earthly-extractions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-24</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/seasonal-distortions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-25</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/join-us</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-25</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/fatal-flora-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727801049097-961S68HN6VAXQFKDOHHN/Lawson.png</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) This manual offers advice on how one might manage their kitchen garden and, in doing so, makes the distinction between women's "common" knowledge and men's "expert" knowledge. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727801047544-3MX56X2SSSPNKVH7YA8I/image00020.jpg</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Datura stramonium, also called "Thornapple" for its spiky seedpods or "Devil's Trumpet" for the bell shape of its blossom. Medicinally, thornapple can reduce inflammation, however, it is highly poisonous and can cause delirium, psychosis, and even death. This specimen is held in the UMass Herbarium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727804968289-NO125OXD7N9YN69BQ7DD/Herbal.png</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>John Gerard, The Herball, or Generall Historie of Plantes (1633) Open to the entry for Devil’s Trumpet, this example invites visitors to consider the medicinal properties of this deadly plant--for example, when boiled with lard it is an effective anti-inflammatory. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752688620527-01JKA1AJKHCKLTTVAIG1/IMG_0752.JPG</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Original artworks are displayed alongside the books that inspired them in the reading room. Visitors to the exhibit opening for Fatal Flora meet artist Susan Montgomery and learn more about her work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727803688714-N5JAPGSRMCQW0J2CNCOO/img_9589.jpg</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>John Reynolds, The Triumphs of God’s Revenge Against the Crying and Execrable Sin of Murther (1679) This chronicle contains several "histories" detailing a variety of murders, several of which involved poisons--particularly women poisoning their husbands with plants. Held in the Kinney Center rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1727803750532-BI19K6NUEB6TPS5942R6/image00018.jpg</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Aconitum napellus, also known as "wolfsbane" or "queen of poisons" While sometimes used as a sedative or fever reducer, a very small dose of wolfsbane can cause respiratory paralysis and heart failure. This specimen is held in the UMass Herbarium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752688637308-K4RJRGE03N5ZKA7TJCXL/IMG_0763.JPG</image:loc>
      <image:title>Fatal Flora Rare Book</image:title>
      <image:caption>Students attending the opening of Fatal Flora engage with a variety of rare material available in the Center’s collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/apocalypse-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752783247346-R99MCBCDOVAJ1JJJHV8B/22110_071.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) The frontispiece of this text depicts a geological history of the earth that include the flood, followed by the formation of continents as the waters receded. Burnet also speculates that the earth will undergo a fiery conflagration before it returns to an Edenic state. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692859162-N2GOWG135ZG7F7I2JI7V/IMG_2864.jpeg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Visitors to the exhibit opening gained hands-on experience using the Kinney Center’s 20th Century acorn press to print an excerpt from Burnet’s Sacred Theory of the Earth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761755334-0FIBUJGI2CV7PPNX5CPZ/Boulenger+%281688%29+2.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Jean Boulenger, Traite' de la sphere du monde (1688) This text by a French mathematician investigates the rotation and movement of the Earth and other planets. This diagram explains the revolutions of the planets around the sun. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761753633-CNKXFD22GE1FV4TDMD22/Heywood+%281635%29+1.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Thomas Heywood, Hierarchie of the Blessed Angels (1635) Heywood's poetical inventory of angels including their names, orders, and offices. Depicted in this copperplate engraving, we see the fall of Lucifer and the expulsion of Adam and Eve from Eden. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692859071-AW7NB39F0FDEYWNN0RBD/IMG_2832.jpeg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Suzette Marie Martin, Cherubim of the Flaming Sword (2023) This original work combines language and text from the IPCC Report (2021), Vulgate Bible (1495), Hierarchie of Blessed Angels (1634), and Traité de la Sphère du Monde (1688). Together these materials offer viewers an allegory of consequences for industrialized humanity’s cumulative, destructive behaviors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692549659-ZUATRKO7VJ8E2JB8VSCQ/Suzette+Reception+1.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Students and members of the Amherst community listen intently as artist Suzette Marie Martin discusses her process, interspersing images and text from current IPPC reports with images from early modern earth science and geological studies and the Vulgate Bible (1495).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761752532-WEPWU4W3NEZIRB9OF5CS/Vulgate+Bible+%281495%29+1.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Vulgate Bible (1495) This page is from the Book of Genesis. The two central columns are the text of the Bible, while the outer columns are commentary by Nicholas of Lyra (ca. 1270–1349). Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692904076-LKFAQOIQUFKD4ZC3N2UA/IMG_6127.jpeg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Marjorie Rubright, Kinney Center Director, welcomes guests to the opening of Apocalypse: Science &amp; Myth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761752420-2AFY05C4JXGQ04UXMFLY/Woodward+%281695%29.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>John Woodward, An Essay Toward a Natural History of the Earth (1695) Woodward wrote about the effects of the Biblical Deluge with a particular interest in geology and the formation of minerals. Like many writers of his time, he looked for scientific evidence of the creation of the world. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752761755218-Q1B0QQFAYX217UO1CYFE/Boyle+%281677%29+1.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Robert Boyle, Paradoxica Hydrostatica Novis Experimentis (1677) Although this illustration of Boyle's air pump first appeared in his New Experiments Physico-Mechanical (1660), the Center's copy of his Paradoxa hydrostatica (1677) also contains this image. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752770966418-V4YUD4E9IPHB10S7AE3M/Screenshot+2025-07-17+at+12.49.18%E2%80%AFPM.png</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Suzette Marie Martin, Hydrostatica Paradoxica (2023). The air pump was used in experiments for some of Boyle’s most famous scientific contributions: that vacuums can exist in nature and that the pressure of air is in inverse proportion to its volume (Boyle’s Law). Juxtaposed with text from the Vulgate Bible and IPCC report, we are reminded that Boyle’s Law helps to explain how changes in pressure and volume affect the circulation of air pollution. Held in the Kinney Center’s permanent art collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692880393-QDL3QK26V6ZGV6YKJKNH/IMG_2935.jpeg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Martin’s depiction of Eve in a posture of grief comments on our own lived experiences of climate grief and eco-anxiety.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752763562525-853S8VC5TLVYL3YA8ZJS/IMG_6018.jpg</image:loc>
      <image:title>Apocalypse Rare Book Exhibit</image:title>
      <image:caption>Visitors to the exhibit view the materials integral to Martin’s process, learning more about how she incorporates ideas and imagery from our rare books into her art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/foraged-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-17</lastmod>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/seasonal-distortions-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845491136-2J6IV98DSNIPU0JMX39T/Wharton+%281658%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) This text is an example of a 17th almanac, containing conventional information on meteorological phenomena, tidal activity, market dates, English history, and law terms. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845503457-GFN56GM1SAU2VZOKL6HD/Wharton+%281658%29+2.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) Almanac owners often filled blank pages with writing, typically that associated with the activities of daily life. On this page we see an account of “Disease that was Amongst Horses in 1655.” Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845508187-4YRZZHRKBTQ636AXR9QX/Wharton+%281658%29+3.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>George Wharton, Calendarium Ecclesiasticum (1658) We also see annotated almanacs filled with notes of local travel, household accounts, and even medicinal or culinary recipes. This page includes a recipe for pickling mushrooms. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692172648-96NMPDFMN2G1K110ELA5/IMG_1392.JPG</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>Artist in Residence Felicity Sheehy reads from her original poetry, inspired by the Kinney Center’s collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845441630-SMH6Y1ZO6CVLGGDHGZVV/Browne+%281625%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>Daniel Browne, A New Almanacke and Prognostication (1625) Almanacs served as helpful guides for farmers and merchants, containing information on important dates of the year, market times, and lunar/tidal cycles. The early modern almanac was often published with a “prognostication,” which contains a list of major historical events, astrological predictions based on season and region, a husbandry guide, and chart for computing interest. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845445206-0OR2N7NYPMAEO2OOS3PG/Browne+%281625%29+2.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>Daniel Browne, A New Almanacke and Prognostication (1625) The anonymous owner of the Center’s 1625 almanac has written notes in the book’s calendars, mostly referencing travel. In this example, we see this almanac’s owner visited “knottford faire” on June 7. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692054388-8NZQ4TDWRMNDIR7LY94L/IMG_1358.JPG</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>As part of her residency, Felicity created a hands-on works that invited students, scholars, and members of the public to practice her process—engaging in creative and scholarly practice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845480148-LSV1JF03M6ONYS8IUF1Z/Evelyn+%281683%29+1.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>John Evelyn, Kalendarium Hortense (1683) This almanac, like many in the early modern period, guides the amateur gardener through each months of the year—laying out when to plant, when to harvest, and when to anticipate blossoms or fruit. Held in the Kinney Center’s rare book collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752845485789-1QGDQY05I1O61CKL1N21/Evelyn+%281683%29++2.jpg</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>John Evelyn, Kalendarium Hortense (1683) For the month of June, Evelyn directs his reader on how to best harvest, dry, and distill herbs. He also encourages them to begin pest management now, offering a variety of methods to “destroy insects.” Held in the Kinney Center’s rare book collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692301661-XI5S6I53YIBK2F38B4YD/IMG_1374.JPG</image:loc>
      <image:title>Seasonal Distortions Rare Book Exhibit</image:title>
      <image:caption>Participants in Felicity’s workshop generated new poems as they engaged with rare texts and explored natural elements gathered from the Center’s landscape.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elusive-prize-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864248504-EQS0X2O8Q1CR2OQYGW9F/17th+century+music+ink+damage.jpg</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Music with ink damage (c. 17th century) Iron gall ink can be quite acidic in nature and over time it can corrode and leave holes in paper like this piece of 17th century music. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864255803-VNMMDU1TZYKV64UMS24U/Bodin+%281594%29+and+Giovio+%281558%29.jpg</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Jean Bodin, De republica (1594) Paolo Giovio, La prima parte dell'historie del svo tempo (1558) Vellum (calfskin, treated and scraped but not tanned) was often used in book binding and sometimes for printing. Here, we see that the vellum binding has curled over time, revealing manuscript material used in the binding. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864276577-09FHNHMWOCNU1TFXF0TF/Land+Grant+1629.jpg</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Land Grant (1629) Vellum was used for legal documents, as seen here, in addition to book binding as in the previous image. Note the creases from the original fold of the document visible here. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692483132-6565HD2D3LRJU57VSQ3R/BG+in+action.JPG</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Artist Brandon Graving highlight this original work printed on vellum using iron gall ink during her artist’s talk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692468115-AR312GWHPCNJB37RYHWV/IMG_0560.JPG</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Visitors to the Elusive Prize exhibit discuss Brandon’s original works with Liz Fox, Arts &amp; Academic Coordinator at the Kinney Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864251372-GUKXJNU7P53KCIJ2TEE2/Antiphonal+17th+century.jpg</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Antiphonal (c. 17th Century) This Italian antiphonal is meant to be viewed by the entire choir and is a good example of manuscript on parchment. Parchment, like vellum, is animal skin that has been cleaned, dehaired, stretched, and dried to create a durable, surface for writing. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864263439-ZNQDKNZ0QAKX8DNJHL1X/French+Book+of+Hours+ca.+1375.jpg</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>French Book of Hours (c. 1375) This single leaf from the Book of Psalms is written in Latin. The writing and decoration were done entirely by hand. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752864280353-QYVGNDFQRLX61SDX43E2/Nisseno+%281636%29.jpg</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Diego Nisseno, Quaresimale del Nisseno (1636) It was common practice to bind books with leftover paper from other projects. This cover of this text is composed of two different manuscripts: one with portions of Tobias 6; the other from a missal. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752692483209-Z0665QL1KKE7SMELKBEB/IMG_0512.JPG</image:loc>
      <image:title>Elusive Prize Rare Book Exhibit</image:title>
      <image:caption>Artist Brandon Graving gives an artist’s talk to an engaged audience at the opening reception for the exhibit.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/coral-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112733063-CG5IDXV4R1FRU8F3MNRJ/Ovid+%281632%29+1.jpg</image:loc>
      <image:title>Coral Rare Book Exhibit</image:title>
      <image:caption>Ovid, Metamorphosis (1632). This upper portion of this image from Metamorphosis shows Perseus slaying the Gorgon, Medusa, whose gaze turns people to stone. We also see his battle with the sea monster, Cetus. After the battle Perseus washes the head of Medusa in the ocean, her blood transforms the leaves and twigs under the water into a different substance, coral. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1752760195883-W0XERFM3SRO73JIBOMLT/coral.jpg</image:loc>
      <image:title>Coral Rare Book Exhibit</image:title>
      <image:caption>John Gerard, The Herball, or Generall Historie of Plantes (1633) While underwater coral is soft and pliant, when it is exposed to air it hardens. In his Herball, Gerard describes coral as capable of being hard as stones, yet its nature makes it more fit to be categorized among the mosses. Coral defies tidy categorization and taxonomy. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112733039-PLEOO6R5QS07PO04997K/Lonicer+%281564%29+1.jpg</image:loc>
      <image:title>Coral Rare Book Exhibit</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1584) Although “Kreuterbuch” translates to “herb book” in English, Lonicer’s text contains much more. This page, for example, documents a variety of sea creatures. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112734223-ZV7CHYY74DVV6N44CDJJ/Ariosto+%281609%29.jpg</image:loc>
      <image:title>Coral Rare Book Exhibit</image:title>
      <image:caption>Ludovico Ariosto, Orlando Furioso (1609) Perseus and Cetus is not the only instance in literature of a hero battling a seemingly unstoppable sea monster. In this Italian epic poem the knight Orlando fights against a creature known as an "orc". Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112734319-30ICKXNK5VFO9YO1E9Y6/Hygnis+%281644%29.jpg</image:loc>
      <image:title>Coral Rare Book Exhibit</image:title>
      <image:caption>Julius Hyginus, Poetica Astronomica (1578) The subjects of Greek and Roman mythology are often placed among the stars and appear as constellations, including Cetus, and as we see here, Perseus. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/grafting-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112825281-1H8CIE1K4G92FJOGSD2W/Lawson+%281648%29+4.jpg</image:loc>
      <image:title>Grafting Rare Book Exhibit</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) This manual offers advice on how one might manage their estate. On this page, he advises the orchardist on how to best shape their fruit trees. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753461613422-OHD3V6GRKZ7OFERUSYKY/IMG_4258.jpeg</image:loc>
      <image:title>Grafting Rare Book Exhibit</image:title>
      <image:caption>Local orchardist, Matt Kaminsky, leads UMass students in a pruning workshop to prepare the Center’s orchard for spring.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112827440-MZEGAGC5QZ9YUXB93LYX/Lawson+%281648%29+3.jpg</image:loc>
      <image:title>Grafting Rare Book Exhibit</image:title>
      <image:caption>William Lawson, The Country Housewives Garden in A New Orchard and Garden (1648) Here, Lawson describes the process for grafting, a practice essential to any aspiring fruit grower. Held in the Kinney Center's rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112824022-UOWOO3DNUNH3F38E8V3J/Agricola+%281726%29+2.jpg</image:loc>
      <image:title>Grafting Rare Book Exhibit</image:title>
      <image:caption>Georg Andreas Agricola, The Experimental Husbandman and Gardener (1726) This book describes innovative horticultural techniques including grafting, cultivation, and other practices. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753461615096-APANNYHGFQA0XYCEQYBX/IMG_4264.jpeg</image:loc>
      <image:title>Grafting Rare Book Exhibit</image:title>
      <image:caption>Students work in the Kinney Center’s orchard in early spring to learn the art of pruning and shaping fruit trees for health and growth. Many of the same techniques from Agricola and Lawson are employed today.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-water-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341201308-60XJSSPUJ32AMPAZZWPW/Geneva+flood.jpg</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>Geneva Bible (1594) In the book of Genesis’ account, the universal flood symbolizes a catastrophic disruption of Earth's ecological balance, where water floods the land, wiping out all life forms, except for Noah, his family, and the animals preserved in the ark to repopulate and restore the natural world. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341346960-HGK8EYQBP49G1WFICG80/Copy+of+22110_071.jpg</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) Burnet posits that the Earth's original, pristine state was a watery paradise, and that a great flood, driven by the rupture of the Earth's waters, reshaped the planet's surface and led to the current geological and environmental order. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757340883030-7A1HG8TIAL1BIAMFHCFD/IMG_0771.JPG</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>Richard Verstegan, A Restitution of Decayed Intelligence (1605) According to Verstegan, the Tower of Babel—shown on this title page—was not an act of disobedience, but a practical engineering effort by humans to live sustainably in a world vulnerable to flooding. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757340996766-IY2U0T026WDVL8UM08T1/Copy+of+22110_018.jpg</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>John Worlidge, Systema Agricultura (1681) In Systema Agricultura, John Worlidge highlights the importance of irrigation as a key agricultural practice for improving crop yields and managing water resources effectively. Held in the Kinney Center’s rare book library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757340946396-ANPTHAII7IE6JYOC547X/Lonicer+%281564%29+1.jpg</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1564) The Kreuterbuch (which translates to herb book) includes detailed illustrations not only of plants but also of animals, reflecting the interconnectedness of flora and fauna in early modern natural history. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341211684-N4GWPYESMF9GX6XIYACK/IMG_8176.jpg</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>William Shakespeare, The Tempest (Second Folio, 1632) The Tempest’s mysterious island setting operates as a symbol for isolation, transformation, exile, and desolation as water defends and contains island inhabitants. On loan to the Kinney Center by a generous friend.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1757341300657-Q2Y7KWVRCBSTCMIHEBIW/IMG_3600.JPG</image:loc>
      <image:title>Elemental Thinking: Water Exhibit</image:title>
      <image:caption>Ovid, Metamorphosis (1586) In Book Four, Ovid describes Cetus as a monstrous sea creature akin to a whale, emphasizing its vast, uncontrollable power as both a force of nature and a test for Perseus’ heroism. Held in the Kinney Center’s rare book collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/earthly-extractions-rare-book-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112772491-S5QVEYGKAQ17YMYWMQR6/Lonicer+%281564%29+2.jpg</image:loc>
      <image:title>Earthly Extractions Rare Book Exhibit</image:title>
      <image:caption>Adam Lonicer, Kreuterbuch (1564) Although not primarily a mining text, Lonicer’s Kreuterbuch (herb book) contains passages on earth-derived minerals like ores and gems. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112767651-0F1DO825JV37PEP1SHSX/Ralegh+%281674%29.jpg</image:loc>
      <image:title>Earthly Extractions Rare Book Exhibit</image:title>
      <image:caption>Walter Raleigh, The History of the World (1674) Raleigh draws analogies between human anatomy and earthly elements, including flesh as earth and dust, bones as rock and stone. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112771398-776Z9SF8RE2MU6SPR0W3/Ovid+%281632%29+2.jpg</image:loc>
      <image:title>Earthly Extractions Rare Book Exhibit</image:title>
      <image:caption>Ovid, Metamorphoses (1586) In Book Ten of the Metamorphoses, Orpheus descends into the Underworld to retrieve his wife Eurydice after she dies from a snakebite on their wedding day. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112770166-ITHRNC5UGQNN52GU6VBS/Munster+%281628%29.jpg</image:loc>
      <image:title>Earthly Extractions Rare Book Exhibit</image:title>
      <image:caption>Sebastian Munster, Cosmographia (1628) This example of a cosmography (description of the world) features a woodcut of the Stromboli volcano in Italy. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760028213231-342HQN6MUYD5U4ZP1GT2/Dante+%281564%29+3.jpg</image:loc>
      <image:title>Earthly Extractions Rare Book Exhibit</image:title>
      <image:caption>Dante Alighieri, Inferno (1564) Book Three of Dante’s Inferno features the gates to hell with the famous inscription, “Abandon hope all ye who enter”. In this image, we see the gates in the top right corner near the earth’s surface opening onto a spiraled descent to the river Styx. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1753112772772-LY6UGVWYDV2UMGIGCIFZ/Heylyn+%281670%291.jpg</image:loc>
      <image:title>Earthly Extractions Rare Book Exhibit</image:title>
      <image:caption>Peter Heylyn, Cosmographie (1670) This map of the Americas features some striking visual elements in land and sea including an uneven density of place names around the continents as well as ships and serpents occupying the oceans. Held in the Kinney Center’s rare book library.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-earth-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553168839-XZU05QJ2KM79TB5B0KAE/Evelyn+%281679%29+1.jpg</image:loc>
      <image:title>Elemental Thinking: Earth Exhibit</image:title>
      <image:caption>John Evelyn, Sylva, or a Discourse on Forest Trees (1679) In its original context this text was a report to the British Navy that advocated for reforestation given the excessive felling of trees to build ships for war and exploration. However, it also contains details information on tree species and their uses, such as this image depicting how one might gather sap from birch trees. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553193422-W9UUZRKTDQO9DDFEVVLC/IMG_0140.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Exhibit</image:title>
      <image:caption>Francis Bacon, Sylva Sylvarum (1685) Given the similarities of their titles, you might expect that this text, like Evelyn’s also focuses on trees. However, here the “forest of forests” becomes metaphor for a collection of Bacon’s experiments and observations of natural history, including metallurgy. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553148513-1I52O3N866IO95FRKU1B/IMG_0138.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Exhibit</image:title>
      <image:caption>John Ray, A Collection of English Words (1674) This catalog of English words also contains catalogs of bird and fish species alongside instructions on refining various metals. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553218663-2ICJO5HKWCBZYUOB2M14/IMG_0143.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Exhibit</image:title>
      <image:caption>Thomas Browne, Pseudodoxia Epidemica (1650) Browne aims to disprove and discredit commonly held superstitions in this text. For example, he refutes the belief that mandrake roots shriek when pulled from the ground or frequently grow under gallows. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1760553239270-M5TNYVXMV52OBN4OTE81/IMG_0142.jpeg</image:loc>
      <image:title>Elemental Thinking: Earth Exhibit</image:title>
      <image:caption>John Gerard, The Herball or General History of Plants (1633) The woodcut images of plants in Gerard’s Herbal also contain depictions of the root system. But in this example of the mandrake, notice the emphasis on the root over the leaves in comparison to the henbane. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-air-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762789325858-JJEE65G1PXXNSCD21L53/Copy+of+22110_141.jpg</image:loc>
      <image:title>Elemental Thinking: Air Exhibit</image:title>
      <image:caption>Walter Blith, The English Improver Improved (1653) This manual, like other land management manuals, guides the reader’s practical engagements with the land by drawing on Blith’s own experience as farmer and surveyor. Exploring how a farmer might harness natural energies, he includes an impressive fold-out engraving of a windmill. Held in the Kinney Center’s Rare Book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788572049-HJNE3R0OFBIQ5JPIAQHV/IMG_0317.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Exhibit</image:title>
      <image:caption>Richard Bradley, New Improvements of Planting and Gardening (1731) Bradley viewed blights as manifestations of environmental imbalance—often spread through “corrupted air” or excess moisture. He treated blight as both a natural and moral warning, urging careful management of air, soil, and season to preserve crop health. For Bradley, understanding blights meant reading the invisible influences of the atmosphere. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788575203-WG08FN2POYUXLHSOA2ZH/IMG_0321.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Exhibit</image:title>
      <image:caption>Ovid, Metamorphosis (1586) In Book 8 of Metamorphosis, Daedalus crafts wings of feathers and wax so he and his son, Icarus, can escape Crete. He teaches Icarus to fly through the middle air: not too low, where the sea’s dampness would weigh him down, nor too high, where the sun’s heat would melt the wax. Air, in this tale, becomes the realm of human aspiration and Icarus’ fall shows that the air, though liberating, is also perilous when pride overtakes wisdom. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788572001-UVMI8I1IGNG3SQIXO31J/IMG_0316.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Exhibit</image:title>
      <image:caption>John Worlidge, Systema Agriculturæ (1676) As an agriculturalist, Worlidge treats wind as both a practical concern for farmers and a messenger of atmospheric change—its direction, strength, and quality foretelling rain, storms, or fair skies. In this text, wind is not just a natural force but a readable language that allowed farmers to prepare for upcoming weather events. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1762788573287-ULB2P673XDJCMPMJQ14U/IMG_0318.jpeg</image:loc>
      <image:title>Elemental Thinking: Air Exhibit</image:title>
      <image:caption>Robert Boyle, Paradoxica Hydrostatica (1677) Using his air pump, shown here, Boyle demonstrated that air exerts pressure and that this pressure is essential for respiration, combustion, and the behavior of fluids. His discovery—later formalized as Boyle’s Law—transformed air from a mysterious element into a measurable physical force, marking a turning point in the scientific understanding of the atmosphere. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/elemental-thinking-fire-exhibit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155572679-R5ZPL2114CHUBJ4NPYNP/IMG_9820.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Exhibit</image:title>
      <image:caption>John Donne, Devotions (1624) Reading by candlelight was a common practice, but was not without risks.One reader held the book too close to the flame and set the text on fire. On loan from the private collection of Joseph Black.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155572896-K4PCFDOTCPWNO34JKZQM/22110_072.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Exhibit</image:title>
      <image:caption>Thomas Burnet, The Sacred Theory of the Earth (1684) Just as he hypothesized that the earth was once covered in water, Burnet also asserted that the earth must endure a fiery conflagration that will allow it to return to its hollow, egg-like shape. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155832597-Q9R0IMI5XNQEOHS7F4V0/IMG_0342.jpeg</image:loc>
      <image:title>Elemental Thinking: Fire Exhibit</image:title>
      <image:caption>Robert Boyle, New Experiments, touching the relation betwixt flame and air (1672) Boyle uses his air pump to better understand the relationship between these two elements, discovering, for example that fire needs air to burn. On loan from the Archives &amp; Special Collections, Amherst College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155832595-Z0AX4SUYY47RFK306FJ0/IMG_0343.jpeg</image:loc>
      <image:title>Elemental Thinking: Fire Exhibit</image:title>
      <image:caption>William Shakespeare, Henry VIII (1623) It was during a performance of Henry VII in 1613 that the cannon fire called for in Act One set the thatch roof of the Globe on fire. On loan from the Gillespie Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1763155677390-MJW13MIC1TXVXJ4Z0XHP/Screenshot+2025-11-14+at+4.21.24%E2%80%AFPM.jpg</image:loc>
      <image:title>Elemental Thinking: Fire Exhibit</image:title>
      <image:caption>John Swan, Speculum Mundi (1635) This text, like Burnet’s Sacred Theory, attempts to reconcile scientific and religious understandings of the world. He explores the world’s beginnings, its impending demise, and its natural phenomenon—including the various fires in the skies such as comets, meteors, and firedrakes. Held in the Kinney Center’s rare book collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.renaissanceoftheearth.com/artefacts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e94aee82b575e1197377dcb/1774450994358-FUWCSOFU3UFPOEDEIYCR/Colin+Hoag_Glasshouse.png</image:loc>
      <image:title>Art(e)facts - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

